The mystery surrounding the Cleveland Torso Murders of the 1930s dogged Eliot Ness for the rest of his career. As he said in the story, finding the Butcher wasn’t like taking out Al Capone. Ness never talked to the papers or pointed the finger of blame, but I think Eliot Ness knew who the Butcher of Kingsbury Run was, and he did his best to bring the carnage to an end. Many believe those years in Cleveland cost him his health, his first marriage, and his career. I wish him peace.
Eliot Ness died of a heart attack when he was only fifty-four. He was an interesting figure for me, a man I liked. As so often happens in these historical journeys I take, the sadness of the history often overwhelms me, and I wonder how I’m going to give my readers a happy ending—or even a sense of an ending—when history is messy and hard and often sad. The thing that stands out for me with people like Eliot Ness is that he was good. Not perfect. Not by any stretch. But good. He tried. He wanted to make things better. He wanted to do the right thing, and even though he had his flaws and his selfish ambitions, he was not ruled by them. Maybe that is what makes heroes of regular men and what makes regular men (and women) heroes.
The mystery surrounding the Cleveland Torso Murders of the 1930s dogged Eliot Ness for the rest of his career. As he said in the story, finding the Butcher wasn’t like taking out Al Capone. Ness never talked to the papers or pointed the finger of blame, but I think Eliot Ness knew who the Butcher of Kingsbury Run was, and he did his best to bring the carnage to an end. Many believe those years in Cleveland cost him his health, his first marriage, and his career. I wish him peace.
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I proposed The Songbook of Benny Lament to my publisher in 2019 and finished it in early 2020, right before the world was gripped in our current troubles. I had no sense of what was coming when I wrote about Benny and Esther and the world they lived in. I had no idea how complicated life would become. In some ways, it made the complicated nature of the past easier to understand.
When I told my mom I was writing a historical love story set in the 60s, she said, "The 1960s isn't historical." Meaning: "I was alive then, so it wasn't that long ago." No, Mom. It wasn't that long ago. And unlike some of the novels I've written, there was no comfortable distance from the setting or the time. I wasn’t alive in the sixties. I don’t have any firsthand knowledge of the decade this story was set in—not the music scene, the Mafia life, the political climate, or the civil rights movement. I was not there. But when the idea for this story took root in me, it flowered quickly. Benny and Esther started talking, and I wasn't about to ignore them. I wrote their story, and I poured my whole self into it. |
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